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Here are designs I completed recently for the title God is Friendship, by author Brian Edgar. The version on top featuring the familiar Doré engraving ultimately won out, but the alternate design below was an early favorite also worth showing off. (The illustration in that case—the hands playing off of Michelangelo's Creation of Adam—was done by moi.)
Here are some spot illustrations and a map I did recently for L.B. Graham’s forthcoming fantasy/sci-fi novel The Darker Road.
Really?! Is it already mid-April?! Sheesh!
I would be remiss if I failed to make mention of this recent opportunity to show off my corporate side: here are samples of some recent pieces produced as part of a re-brand for LifeWay Credit Union. I’ve had lots of fun working with That Writer to come up with these concepts (thinking of the banner ads, especially).
This project was quite a long time in the making, but the subject matter is more than worthy of the efforts involved. The story of the settling of my native region is one that features numerous examples of near-superhuman heroism and sacrifice. Residents of Nashville ought to at least recognize the names of Timothy Demonbreun, James Robertson, Charlotte Robertson, and John Donelson, if simply due to the fact that those names have been lent to various streets, buildings and other landmarks around town. But their legacy (that of the Robertsons in particular), and that of many of their still more obscure colleagues—Thomas Spencer, Kasper Mansker, Anthony Bledsoe, John Buchanan, and William Hall, to name a few additional notables—is worthy of much wider recognition and adulation. When the first permanent settlements were established in the Cumberland River Valley, the United States were still fighting to gain their independence from Great Britain, and the ultimate survival and success of those settlements, in many respects made all the more difficult by the fact of that larger conflict, played a very strategic role both in that struggle itself and in the subsequent development and westward expansion of the new nation. Had those settlements failed, and they very nearly did fail, subsequent U. S. history would no doubt have turned out quite differently.
So, given my pre-existant enthusiasm for the subject matter, I was excited as all get-out when, way back in 2010, I was tapped to help out on this project, a detailed, year-by-year narrative based on meticulously researched and compiled firsthand accounts of the settlers themselves. More than two years, over a dozen revisions, and just over 800 pages later, I’m still excited . . . to be done! No, seriously (okay I’m sort of kidding about that . . . I know that Paul will empathize) I’m incredibly pleased with the results and with the contributions I was able to make to this important work. For the record, those contributions included updating and finessing an existing (and voluminous!) interior layout which had already been touched by a couple of other designers, consultation on the production of numerous maps featured throughout, logo design, book cover design, business card design, consultation and guidance during the self-publishing process, social media integration, art direction for a promotional video (thanks Ricky Burchell and B4 Entertainment!) and web design (thanks to Tim Brown of Graphos Designs for development!). These books are hardbound and feature smyth sewn binding, which, taken in consideration with the enthralling story contained within the pages, makes them worth every penny of the $70 asking price. Copies are available directly from the author via the website.
Back in early January I gave a presentation for a local group of men who get together regularly to hear lectures and to engage in discussion on various topics, theology most frequently, but also economics, science, moral/ethical/social issues, literature, and the arts. My presentation was focused on an overview of biblical numerology, the study of the significance and symbolism which Scripture assigns to certain numbers, and how we see that significance confirmed virtually everywhere we look, both in the natural world of God’s own making, and in the creative works of mankind. Along the way, I take numerous excursions into the disciplines of geometry, music, biology, architecture, the visual arts, and astronomy. An audio recording of the lecture as well as a pdf of my accompanying Keynote presentation are available here. There seemed to be a good deal of enthusiasm among the group for this topic, and the whole process—preparation, presentation, follow-up discussion—was a great deal of fun. My thanks go out to our hosts (Tom and Sylvia Singleton) and all the other folks who were in attendance. Perhaps there are others out there who would also take an interest in this topic, and if you have a chance to listen and/or browse through the pdf, I trust you will find it fascinating. And as always, I’d be delighted to hear your feedback, as well as any additional insights of your own on the topics covered.
With all due respect to Massimo Vignelli, some of whose objections are legitimate, on the whole, this is nonetheless simply AWESOME!
I was recently privileged to provide the packaging art for this collection of wonderful and inspiring psalms, hymns and service music by my friend and composer-extraordinaire, Gregory Wilbur. You (whoever you are) should get a copy!
Such a talented, genial man will be sorely missed, but fondly remembered. Take a few minutes to watch this truly magical moment.
I was confronted with this yesterday, while stopped at a traffic light during a family excursion to Chattanooga. There are so many levels of messed-up here—not the least of which is a hand-rendered version of a logo (at bottom) that I actually illustrated (in one of its many iterations) a number of years ago.
Here’s another book cover—prominently featuring illustration this time!—that I recently finished for L. B. Graham. Quite obviously, I hope, The Raft, the River, and the Robot is a dystopian take on Huckleberry Finn. Lots of fun, this one was!
